Life Is Short, Art Long : The Art of Healing in Byzantium – Pera Museum, Istanbul

Life Is Short, Art Long

The Art of Healing in Byzantium

11 February – 26 April 2015
Pera Museum, Istanbul

This exhibition takes its name from the famous aphorism by Hippocrates and examines the art and practice of healing in Byzantium from Roman times to the late Byzantine period.

Curated by Dr. Brigitte Pitarakis, Life Is Short, Art Long examines faith, magic, and rational medicine as methods of healing. It traces the “art of healing” from the foundations laid by Apollo and Asklepios, healers of antiquity, and Hippocrates and Dioscorides, the founders of rational medicine and also examines the roles of the physician saints. Among the other topics covered and objects on display are icons, reliquaries, and amulets, marble carvings, medical equipment, plants and herbs, medical and botanical manuscripts, and the centers of healing and miracle in Istanbul.

The exhibition reveals that the belief that illnesses were primarily caused by demons co-existed alongside a rational understanding of health and medicine based on the teachings of Hippocrates. The “art of healing” was practiced by physicians, saints, and magicians and involved practices ranging from surgery to daily cleansing of the body and the spirit to exorcism and the veneration of saints.

The works offering insight into Istanbul’s Byzantine past have been loaned from the Istanbul Archaeological Museums, the Greek Orthodox Patriarchate of Constantinople, the library of the Holy Trinity Monastery of Halki (Heybeliada), the Foundation of the Yeniköy Greek Orthodox Church of Panayia and School, the Rezan Has Museum, the Bibliothèque nationale de France, the Bodleian Libraries of the University of Oxford, Oxford University Herbaria, the Benaki Museum in Athens, the Kastoria Byzantine Museum, and private collections.

Symposium 14.03.2015 Pera Museum

Site du musée

Exposition en ligne — Beth Shean After Antiquity

I’m pleased to announce the official launch of Beth Shean After Antiquity, an online exhibition and archive of the materials excavated at Beth Shean by the University of Pennsylvania from 1921–1933.

Contributors: Megan Boomer, Matthew Chalmers, Victoria Fleck, Joseph Kopta, Robert Ousterhout (project director), James Shackelford, Rebecca Vandewalle, and Arielle Winnik.

BSAA is a collaborative project of Penn’s History of Art Department, the Penn Museum, and the Kislak Center for Special Collections, Rare Books and Manuscripts at Penn Libraries, with support from the Digital Humanities Forum.

Check it out!

Exposition — Dumbarton Oaks online exhibition

The Image Collections and Fieldwork Archives (ICFA) at Dumbarton Oaks presents a new online exhibit entitled A Truthful Record: The Byzantine Institute Filmshttp://www.doaks.org/icfa/truthful-record. This exhibit aims to reveal the context of the films created by the Byzantine Institute between the 1930s and 1940s by combining them with archival records from the collection The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers.

A Truthful Record features thirteen motion picture films from the Byzantine Institute, which are stored and preserved at ICFA: one of the Red Sea Monasteries in Egypt, eleven of the Hagia Sophia, and one of the Kariye Camii, both in Istanbul, Turkey. The color films created by the Byzantine Institute’s photographer Pierre Iskender provide significant testimony of the mosaics at Hagia Sophia and Kariye Camii and the techniques employed to uncover and conserve them. When combined with notebook entries written by Byzantine Institute fieldworkers such as Ernest Hawkins and the brothers Richard and William Gregory, the history of the films’ creation truly comes alive. Thomas Whittemore, who founded the Byzantine Institute in 1930, made wide use of the moving images, screening them for donors and patrons (such as Robert Woods and Mildred Bliss), the Byzantine scholarly community, and an interested general audience in the United States and Europe. The exhibit is divided into three sections that investigate how the films were made and how they were received by contemporary audiences: Style and ContentTechnique, and Purpose and Reception. You can also explore the archival materials chronologically using a detailed Timeline.

This online exhibit was created by Fani Gargova, ICFA Byzantine Research Associate. The ICFA team would like to give special thanks to the Dumbarton Oaks Publications Department for their generous assistance and support throughout this project. For more information about ICFA’s Moving Image Collection, please see our website or Vimeo album.