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Atelier des doctorants du CEBNHSEE

Atelier des doctorants du CEBNHSEE (ex-Séminaire des doctorants du CEBNHSEE)

  • Bexen Campos Rubilar
  • Paolo Odorico, directeur d’études à l’EHESS
  • Mathieu Panoryia
  • Filippo Ronconi, maître de conférences à l’EHESSCet enseignant est référent pour cette UE

S’il s’agit de l’enseignement principal d’un enseignant, le nom de celui-ci est indiqué en gras.

2e et 4e jeudis du mois de 11 h à 13 h (bât. Le France, 190-198 av de France 75013 Paris), du 13 novembre 2014 au 28 mai 2015. Les 2e jeudis du mois, les séances se dérouleront en salle 527 (5e étage) et les 4e jeudis du mois, en salle 3 (RdC)

L’atelier est conçu comme un espace informel de rencontre et de confrontation pour les doctorants du CEBNHSEE, mais il constitue en même temps un lieu de rencontre ouvert pour tous les doctorants dont les recherches portent sur Byzance. Dans ce cadre, la participation de jeunes chercheurs provenant d’autres laboratoires du CRH et d’autres centres de l’EHESS, mais aussi d’autres institutions (notamment les partenaires du PRES HéSam) est prévue. Chaque séance est centrée sur un sujet de recherche spécifique et se veut un lieu de discussion et d’échange intellectuel entre jeunes chercheurs, à la présence d’un ou plusieurs chercheurs confirmés du CEBNHSEE, qui aura la fonction de stimuler la confrontation et de poser des problèmes d’ordre méthodologique, dans un contexte décontracté.

La structuration de chaque séance est totalement libre, si bien que chaque doctorant pourra donner la forme qu’il préfère à la rencontre dont il est le responsable. Des séances « collectives » pourront aussi bien avoir lieu, où plusieurs doctorants puissent présenter conjointement leurs réflexions sur un sujet commun.

22 janvier 2015 : Filippo Ronconi, « L’utilité de la paléographie et de la philologie dans la compréhension historique de la Renaissance paléologue : questions de méthode »

12 février 2015 : Marie-Elisabeth MITSOU, EHESS, « Représentations du monde byzantin par un faussaire grec du XIXe siècle: Constantin Simonides »

12 mars 2015 : Esther DEHOUX, Université de Lille, « Saints guerriers. Georges, Guillaume, Maurice et Michel dans la France médiévale (XIe – XIIe s.) »

26 mars 2015 : Benoît GREVIN, « Le parchemin des cieux »

Les séminaires ont lieu à L’EHESS de 11 h à 13 h (bât. Le France, 190-198 av de France 75013 Paris). Les 2e jeudis du mois, les séances se dérouleront en salle 527 (5e étage) et les 4e jeudis du mois, en salle 3 (RdC).

Intitulés généraux :

Centre : CRH-CEBNHSEE – Centre d’études byzantines, néo-helleniques et sud-est européennes

Renseignements :

par courriel byzance(at)ehess.fr ou auprès du secrétariat : Delphine Lesieur dlesieur(at)ehess.fr, tél. : 01 49 54 23 35.

Site web : http://byzance.ehess.fr/

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Appel à contribution – Biblical Philology in Byzantine Manuscripts

Call for papers

“Biblical Philology in Byzantine Manuscripts”

(EABS conference: Córdoba, July 12-15, 2015)

Byzantinists and patristic scholars might take interest in the fact that in the framework of the upcoming conference of the European Association of Biblical Studies (EABS), a session on “Biblical Philology in Byzantine Manuscripts” will be organized. The conference will take place July 12-15, 2015 in Córdoba (Spain), and the call for papers is now open. Proposals can be submitted until April 1 through http://www.eabs.net.

More information on the “Biblical Philology in Byzantine Manuscripts” session can be found here: http://www.eabs.netF/site/biblical-philology-in-byzantine-manuscripts/. Proposals are invited for papers dealing with the study of medieval marginal annotations to the biblical text within the Greek Christian tradition. Particularly welcome are papers highlighting possible acquaintance with Hebrew culture and exegesis on the part of Byzantine scholars, but other topics can be suggested.

For more information, please contact Mariachiara Fincati (mc.fincati@gmail.com), Barbara Crostini (crostini.barbara@gmail.com) or Dr. Reinhart Ceulemans (reinhart.ceulemans@arts.kuleuven.be).

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Appel à contribution – The Art of the Crusades: A Re-Evaluation research programme

CALL FOR APPLICATIONS

Early Career Collaborative Research Project in Eastern Mediterranean and Levant

for Mediaevalists, Byzantinists and researchers into the art and archaeology of the diverse Christian, Muslim, Jewish and other religious and ethnic groups in this region.

SOAS University of London with funding from the Getty Foundation is launching a new research programme lasting two years that might be of interest to you entitled The Art of the Crusades: A Re-Evaluation.

Led by Professor Scott Redford of SOAS University of London, The Art of the Crusades: A Re-Evaluation is aimed at early career academics and higher level research students interested in exploring the possibilities of a new kind of integrationist approach to the art and archaeology of the mediaeval period in the eastern Mediterranean and Levant.

This approach will involve interrogating the material culture of the mediaeval period using diverse academic approaches, and seek to show the connections between the art and other material culture of the different peoples and religious groups of this region at the time.

We are looking for candidates from a wide variety of academic fields. This includes researchers into Crusader art, architecture and archaeology, but also Byzantinists, and researchers into the art and architecture of Islamic, Jewish and other religious and ethnic groups in the Eastern Mediterranean and Levant region during the Middle Ages.

Those taking part will be asked to attend four fully-funded research field trips, two in 2015 and two in 2016, each lasting nine days. These research trips will be to Greece, Israel, Jordan and Turkey and on them participants will attend lectures by international and local experts, visit historical sites of interest and engage in seminars aimed at formulating a new way of looking at this kind of material from an integrationist perspective.

We are particularly keen to encourage researchers based in the Eastern Mediterranean and Middle East, or with strong connections to it, to apply.

All air fares, accommodation and meals on the research trips will be paid for, and we welcome applications now for the first of these trips, to Turkey, in November 2015.

Further information and an application form can be found on the SOAS website at:

Further Information: www.soas.ac.uk/artofthecrusades
Application Form: http://www.jotformeu.com/form/50121286584352

Deadline for Applications: 15 March 2015. Spaces are limited and so early application is strongly advised.

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Bourse postdoc – Freie Universität, Berlin

Call for Applications for DRS Incoming Postdoc Fellowships POINT-2016

Program co-funded by the European Union

The Dahlem Research School’s Postdoc Fellowship Program – co-financed by the German Excellence Initiative and the Marie Curie Program of the European Commission – provides funding for outstanding postdoctoral researchers from all disciplines to conduct their own research project at Freie Universität Berlin. The aim is to support highly-qualified postdoctoral researchers who are outstanding in their field and to integrate them into one of the university’s research groups in an early phase of their career.

The program is designed to promote the further academic career development through research funding, a tailored qualification program including essential professional guidance on preparing grant proposals, and the opportunity to develop teaching and leadership skills. At the end of the funding period, DRS fellows are expected to apply for funding for follow-up research projects at Freie Universität Berlin.

Dahlem Research School offers

20 Incoming Postdoc Fellowships

Starting in November 2015, each research fellowship will be awarded for 18 months. Applicants have to submit a project plan based around the research fields/ key topics of the participating Excellence Projects or Focus Areas (listed below).

Female postdoctoral researchers and returnees from phases of international, inter-sectoral and/or non-academic mobility (such as researching outside Germany, working for industry or after a career break e.g. due to family reasons) are specifically encouraged to apply.

Deadline for applications: 13 March 2015

Plus d’information ici.

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48th Spring Byzantine Symposium

48th Spring Byzantine Symposium

Whose Mediterranean is it anyway? Cross-cultural interaction between Byzantium and the West 1204-1669

The Open University, Milton Keynes
28th-30th March 2015

  Programme

Saturday 28th March

Registration and Welcome – Berril Building

09.30-10.15: Registration / coffee

10.15-10.30: Angeliki Lymberopoulou (Milton Keynes) – Welcome

Morning Session – Berril Building

Chair: Liz James

10.30-11.00: Angeliki Lymberopoulou (Milton Keynes) – Framing of the 48th Spring Byzantine Symposium

11.00-11.40: Jane Baun (Oxford) – Whose Church is it anyway? Mediterranean Christianities in cross-cultural context

11.40-12.00: Discussion

12.00-13.30: Lunch (Berril Building)

Saturday 28th March

Afternoon Session – Berril Building

Chair: Leslie Brubaker

13.30-14.10: Liz James (Sussex) – Made in Byzantium? Mosaics after 1204

14.10-14.50: Stefania Gerevini (Rome) – Beyond 1204? The Baptistery of San Marco, the chapel of St Isidore, and the meaning of Byzantine visual language in fourteenth-century Venice

14.50-15.30: Michele Bacci (Freiburg) – Enhancing the Authority of Icons: Italian Frames for Byzantine Images

15.30-15.55: Discussion

16.00-16.30: Coffee / Tea (Berrill Building)

16.00-17.30: SPBS Meeting (Hub Theatre)

(Coffee / Tea for those attending this meeting will be served at the Hub Theatre)

Open Lecture – Berrill Building

Chair: Angeliki Lymberopoulou

17.45-19.00: Leslie Brubaker (Birmingham) – Space, place and culture: processions across the Mediterranean

19.45 Symposium Feast – Hilton Hotel

Sunday 29th March

Please note: British Summer time begins on Sunday 29th March – clocks go forward one hour

 

Morning Session – Berrill Building

Chair: Rembrandt Duits

9.00-09:40 Diana Newall (Kent) – Artistic and Cultural Tradition through Candia in the 15th century

09:40-10.20: Maria Constantoudaki (Athens) – Aspects of Artistic Exchange on Crete. Remarks and Question Marks

10.20-10.50: Coffee / Tea (Berrill Building)

10.50-11.30: Sharon Gerstel (Los Angeles) – Between east and West: Locating Monumental Painting from the Peloponnesos

11.30-11.55: Discussion

12.00-13.30: Lunch (Berrill Building)

12.45-13.30: SPBS AGM (Berrill Building)

13.30-15.30: Communications – Two Parallel Sessions (please see additional programme)

Session A: Berrill Building – Chair: Diana Newall

Session B: Hub Theatre – Chair: Tony Eastmond 

15.30-16.00: Coffee / Tea (Berril Building for all)

Sunday 29th March

Afternoon Session – Berrill Building

Chair: Dionysios Stathakopoulos

16.00-16.20: Ioanna Christoforaki (Athens – in absentia) – Crossing Boundaries: Colonial and Local Identities in the Visual Culture of Medieval Cyprus

16.20-17.00: Tassos Papacostas (London) – Where Byzantine, Gothic and Renaissance architecture crossed paths: Cyprus under Latin rule

17.00-17.15: Discussion

Open Lecture – Berrill Building

Chair: Angeliki Lymberopoulou

17.30-18.45: Dionysios Stathakopoulos (London) – ‘Latin basillisses’: transcultural marriages in late medieval Greece

18.45: Reception – Berrill Building: Sponsored by Ashgate

Monday 30th March

Morning Session – Berrill Building

Chair: Tassos Papacostas

09.00-09.40: Tony Eastmond (London) – Contesting Art in the Thirteenth Century

09.40-10.20: Hans Bloemsma (Middelburg) – The changing meaning of Byzantine art in the context of early Italian painting

10.20-11.00: Rembrandt Duits (London) – Byzantine Influences in the Iconography of Last Judgment in Late Medieval Italy

11.00-11.30: Tea / Coffee (Berrill Building)

11.30-12.10: Francesca Marchetti (London) – O insignis Graecia, ecce iam tuum finem. Illustrated medical manuscripts in Late Palaeologan Constantinople and their fortune in Sixteenth Century Italy

12.10-12.45: Discussion and Closure of the 48th Spring Byzantine Symposium

12.45-14.00: Lunch (Berrill Building)

 

Communications

  Sunday 29th March 2014, 13.30 -15.30

**Please Note: The allocated time per communication is 12 minutes plus 3 minutes for questions – a total of 15 minutes per communication. The 20 minute allocation in the programme is provided for those who would like to move between the Berril Building and the Hub Theatre in the Open University campus to attend different communications. Chairs are advised to be ‘Bryer’-ruthless in their time keeping. Thank you for your co-operation.**

 

Session A: Berril Building – Chair Diana Newall

13.30-13.50: Livia Bevilacqua (Venice) – Venice in Byzantium: Art and Patronage in the Venetian Quarter of Constantinople (13th-15th centuries)

13.50-14.10: Matthew Kinloch (Oxford) – Shared Cultures of Power: Cities and power in Byzantium and Italy

14.10-14.30: Christopher Wright (London) – Prizes or prisons: the Latins and power over islands in the Palaiologan Byzantium

14.30-14.50: Anestis Vasilakeris (Istanbul) – The Drawing Process in Byzantine and Italian Painting around 1300

14.50-15.10: Andrea Mattiello (Birmingham) – The elephant on the page: Ciriaco de’Pizzicolli D’Ancona in Mystras

15.10-15.30: Maria-Vassiliki Farmaki (Athens) – Theatre Arts and Life in Byzantium: the Connection between Byzantine and Latin Theatre

 

Session B: Hub Theatre – Chair Tony Eastmond

13.30-13.50: Dion Smythe (Belfast) – New Mediterranean Cooking? “Oil and Water in the Same Cup”

13.50-14.10: Leonela Fundic (Brisbane) – Epiros between Byzantium and the West in the Thirteenth and Early Fourteenth Centuries: Visual Evidence

14.10-14.30: Prodromos Papanikolaou (Athens) – A Marble Relief Icon of the Crucifixion; Sculptures and Styles in Hospitaller Rhodes

14.30-14.50: Teodora Konach (Cracow) – The gesture of Dessislava – Byzantine and Western contexts at the Cultural Crossroads

14.50-15.10: Agnes Kriza (Cambridge) – The Royal Deesis: an anti-Latin imagery of Late Byzantine Art

15.10-15.30: Alex Rodriguez Suarez (London) – Bell-ringing in Byzantium during the late Byzantine period: an introduction

All relevant information – invited papers, communications, registration form and general information – can be viewed at: http://www.open.ac.uk/Arts/ssbs/index.shtml